Katherine Hoffman, recorder, flute, and sight-singing
M.M., Manhattan School of Music
B.M., Manhattan School of Music
B.A., Barnard College, Columbia University |
| "At all levels, I emphasizes musical phrasing
along with technical work." |
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Katherine Hoffman is a multi-faceted musician,
pursuing a career as a flutist and vocal artist. Growing up
in West Hartford, Connecticut, Kathy began flute lessons at
age eleven and voice at thirteen. “I chose the flute because
I listened to music in concert and recordings and loved the
sound of the instrument. I began voice lessons when my parents
realized they couldn’t stop me from singing all the time
and I loved performing.”
Kathy’s teaching style mixes seriousness with a sense
of humor, enabling students to work in a relaxed but disciplined
atmosphere. At all levels, she emphasizes a focus on musical
phrasing along with technical work. On recorder she teaches
students as young as five, incorporating Dalcroze rhythm and
movement techniques when appropriate. “Some children have
difficulty staying still for the duration of the lesson and
find it helpful to do some rhythm work through movement. Others
have a longer concentration span and need constant challenges.”
Between the ages of eight and twelve, Kathy helps transition
many of these recorder students to flute.
Kathy also works with adult students, molding her teaching style
to each individual. “Adult students who are beginners
often come with a wonderful enthusiasm but may have unrealistic
expectations. These students need positive encouragement and
an understanding of the need for them to be as patient with
themselves as the teacher is with them.”
A faculty member at Bloomingdale for over thirty years, Kathy
has created many memories, both teaching and performing at the
school. She recalls one ensemble of eight year-olds who were
“so excited about learning and choosing their performance
pieces that they came up with a name for their group, ‘The
Tremendous Three’.” Kathy loves teaching the children
who learn easily, but her greatest satisfaction as a teacher
“comes from working with those who have started off slowly
and struggled, but eventually achieve a high level of competence
both technically and musically.” |
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