Padre Antonio Soler (1729-1783)
|
|
Padre Antonio Soler was a Catalan
composer and organist. After initial music instruction with
his father, Antonio Soler entered the well-respected music
school Escolanía in the Montserrat monastery. In 1752
he entered the order at El Escorial, a monastery near Madrid,
and was appointed permanent organist, later earning the title
of maestro de capilla (chapel master) in 1757. Soler
was prolific and, along with his duties as priest and organist,
wrote a number of compositions. We know from his writings
that he slept little, often going to bed at midnight and
rising for 4 a.m. mass.
Soler's style is obviously influenced by Scarlatti, and
he described himself as a disciple of the Italian composer.
In 1766, Soler became the tutor to Prince Gabriel and wrote
many of his keyboard sonatas for the Prince. Although he
wrote a variety of works, Soler is best known for these sonatas,
which are mostly two or three movement works in binary form.
There are eight sonatas in four movements which seem to have
been influenced by Haydn, evident through the use of Alberti
bass (Haydn's works were brought to Spain by Boccherini in
the 1770s.) While Soler maintained the Scarlatti tradition
in his keyboard works in some ways, he is much more adventurous
in his modulations, and there is a distinct Spanish style to
his writing, which incorporates many dance rhythms of the time.
It is known that Soler had access to an organ, harpsichord,
and fortepiano, but it is not always clear which instrument
specific works were written for. Most of the sonatas are written
for at least a five-octave keyboard and some require 63 keys,
which is a greater span than Mozart had access to on his fortepiano. |
|