About Bloomingdale School of Music

About Bloomingdale School of Music

Our Mission, History, and Core Values

Bloomingdale School of Music’s mission is to provide open access to high-quality music education to anyone who seeks it, regardless of economic status, ability level, ethnicity, or religious affiliation.

OUR CORE VALUES

ACCESS

We believe music is for everyone. We work with students to overcome financial or personal obstacles by offering aid and flexibility. We provide a variety of ways to perform, learn, and experience music, in a vast array of styles, including classical, jazz, rock, and world music.

DIVERSE AND INCLUSIVE

We are as diverse as the City of NewYork. We create an environment of multiple voices, where each member is inspired to be their best self, any person feels safe in this self-expression, and every participant is valued for their individual perspective. A community that unites all ages, classes, and cultures, BSM finds common purpose through the language of music.

COMMUNITY

We welcome all people into our musical world. We celebrate the connections music brings to our community, both within BSM and in our neighborhood at large. We hold our teachers and our students in high esteem, and we regard each person’s musical potential with the utmost respect.

EXPRESSION AND CONNECTION

We believe music reflects our humanity and our complexity. Through music, all students have the potential to enhance their personal confidence, community responsibility, discipline, kindness, self-possession, and humility. In addition, it provides a joyful mode of expression and exchange; it assists in social, personal, and cognitive development; it allows students to accept “delayed gratification” and the deeper rewards that come when putting in sustained work over time; and it fosters a strong work ethic. It is a means of expression and connection, of comfort and understanding, and of renewal and inspiration.

EXCELLENCE

We strive for the highest level of achievement in our education, teaching and performance endeavors. We match students with the finest teaching artists available who will shape their lessons to meet the individual drive, talent, and passion of each person. We seek excellence in artistry, education, communication, and exchange. While we work towards top caliber musical results, we are equally focused on the excellence of our process. We want to shape a collective journey where the humanity, individuality, and creative exploration of our students, is prioritized.

History of the Bloomingdale School of Music

In 1964, our founding director, David Greer, was the organist at West End Presbyterian Church, and a true visionary of his time. Combined with determination and perseverance, he opened a community music school in the basement of the church by talking to kids on the street about studying music and attending concerts. His own dedication to music must have been infectious and the school’s initial enrollment included 75 students in 1964 taking lessons for 50 cents or a dollar. The poster of the opening of the school is to the right.

From its beginning, the Bloomingdale House of Music, as it was first known, brought amazing vitality to an Upper West Side community that was already growing in diversity. The neigh- borhood was filled with opportunity to establish greater musical awareness and David hit the ground running. By 1966, the enrollment had reached 500 and after the school moved to its new home on 108th Street in 1972, Bloomingdale had a roster of 1000 students each week. David’s ambition for the school went on to create a concert series of weekly recitals performed at the school and at Symphony Space by established, emerging, and faculty musicians, as well as the Bloomingdale Orchestra. His most significant contribution to the community was his commitment to an “open access” policy – the mission to provide music instruction to students regardless of their financial means. This mission has been and still remains central to the Bloomingdale School of Music and has been supported by the efforts of subsequent executive directors, Paul Fran (1988-1991), and Lawrence Davis (1991-2013) and Erika S. Floreska currently.

Throughout the history of Bloomingdale, the school has engaged an exceptional faculty roster of professional musicians trained at the most prestigious music conservatories and universities throughout the world. As directorships changed, the school continued to grow with new programs that raised the standard of performance by the student body. Under Lawrence Davis’ leadership, the school initiated the advanced Music Access Project (MAP) and the Professional Training Program in addition to the yearly all-school “Performathon” fund-raising events, yearly department festival concerts – the Piano Project Concert, the Guitar Festival, the Voice Festival, the Percussion Festival, and A4TY (Student Composers Concert) – while he also condcuted the Bloomingdale Chamber Orchestra in two concerts each year and supported a vital faculty concert series of over 40 recitals each year. Lawrence always kept pace with new innovations and during his tenure established internet concert projects on Bloomingdale’s website as well as insightful blogs by faculty. He also worked with the entire administrative staff and selected faculty members in the ambitious two-year project to develop the first online theory program by a community music school – Theory in a Box – which has benefitted Bloomingdale students and schools throughout the U.S.

Currently, students perform in all of these programs as well as in student “Sharing Hours” several times throughout the academic year. The first 50 years were very busy and productive at the Bloomingdale School of Music, and in 2014 we welcomed our fourth director, Erika S. Floreska. Erika has a vision to deepen the Bloomingdale community connections, broaden the access to our offerings, and uplift our community through collaboration, innovation, and excellence. We are proud to be a vital part of the broad cultural fabric of New York City as we look forward to greater accomplishment with each new year.

Written by Monica Verona, BSM resident teaching artist and archivist